Exploring from a place of curiosity.

Introducing tools to decenter the colonial epistemologies within the Stanislavski Technique Method of Physical Actions and its components that are potentially points of disconnection for the BIPOC actor.

Find more about the process here.

The American theatre, which I embrace as my own, brings with it, many questions that have led me to share my unique perspective in directing as a Latina artist-creator.

Find my directing résumé here.

Postsecondary teaching experience since 2009 in Acting (Hagen, Meisner, Spolin, Cohen, Stanislavski), Voice (Linklater, Berry, Rosenberg, Skinner), Movement (Alexander Technique, Viewpoints,) Theatre History I, and Introduction to Theatre.

Find my CV here.

My passion and training intersect in the creation and telling of cross-cultural, multi-lingual, Diasporic and Eurocentric stories on and off stage since 1995.

Find my acting résumé here.

Claridad Voice

I facilitate and encourage vocal freedom and clarity for individuals, actors, business professionals, and dialect design for theatre productions.

Over the years, I have had the honor of helping young students prepare for college auditions for both undergraduate and graduate acting programs.